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The biggest obstacle in a beginning digital photographer's way is often that lens that was bundled with their digital SLR (Single Lens Reflex camera.)
The marketplace is awash with digital SLR cameras touting fantastic resolution and tons of features, but most 1st time buyers don't realize how complicated these cameras really are.
Digital Slr Zoom
Invariably that camera kit that they buy is something like a Nikon D40x or Canon Rebel XTi with a 18mm to 55 mm zoom lens and a 1GB or 2 GB memory card. It is worse if they get one with a 28 mm to 135 mm lens.
Pitfalls of Beginning Photographers - Why You Shouldn't Buy a Digital SLR with a Zoom Lens Kit
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So just how complicated are these cameras? In terms of function, and how they operate they are all the same. But as far as how user-friendly and intuitive they are, how you change the settings and so forth, that's a whole different ballgame.
1. No longer is it a simple matter to change something like a very basic setting on a camera. In the analog film camera of yesterday, all you needed to know was how to set the ISO or film speed, the aperture, shutter speed, read the exposure meter, how to load and unload the camera and of course where the shutter release button is located - essentially there were only 4 settings you needed to know to work any camera. I intentionally left out focussing because I expect everyone knows how to look in the viewfinder and turn the barrel of the lens until the image in the focussing screen appears sharp.
2. These days all these very basic settings are hidden under multiple layers of menus. To change let's say something as basic as the ISO, you have to hold down one button and turn one of two possible dials. Even after you do that, you can't be sure you've changed the correct one. For instance you might think you've changed the ISO because you see the numbers on the LCD change from 100 to 125 to 160 and 200. Well, that could also be the shutter speed you just changed.
Unless you've read the manual, how can you be sure? To further complicate matters, some cameras even let you choose settings that are 1/3 of a stop. Shutter speeds on film cameras used to be 1/1000, 1/500. 1/250 etc. Now there's in between settings like 1/1250, 1/640, 1/350 etc. No wonder novices are overwhelmed.
Bear in mind, we haven't even considered those settings unique to "digital" like choosing compression or quality or file sizes, white balance, formatting of the memory card or auto focus sensor and motordrive modes to name just a few.
3. I didn't realize how confusing all these numbers can be to a novice until midway into my teaching an introductory digital photography class. I think I was telling my students to set their exposure for 1/125 of a sec at f11. One of my students looked up at me and asked if that was the focal length she was supposed to set or if it was the ISO. Perhaps it was my failing as an instructor that left her befuddled, but boy, did I learned something that day!
There are way too many variables on the digital SLRs out there especially if they are 1st time users. And on those zoom lenses they buy with their cameras, I hadn't even explained to them that the aperture on their zoom lenses are variable. It is f3.5 on the 18 mm end and f5.6 on the 55 mm end!
There was a lot of wisdom in the days of film photography when camera manufacturers bundled a SLR with a standard 50 mm lens. It meant beginners could concentrate on getting their exposure right, without contemplating why a lens had one aperture opening on the wide angle end and another on the telephoto end.
Composing by moving closer or moving back instead of zooming in and out using a variable focal length lens taught beginners not to get lazy and explore their subject by moving around.
It is for all these reasons that I find myself recommending that 1st time buyers also buy a 50 mm fixed focal length lens with maybe a aperture of f1.8 to start their adventure in photography.
Sure, that standard lens is more expensive, but in the long run, novices will learn much faster. A lens like a 50 mm f1.8 is extremely versatile.It allows you to shoot in low light.It is small and compact and is actually an 80 mm lens when you factor in the 1.6x magnification factor--perfect for portraiture.
The worse lens kit out there I've seen is one of the range from 28 mm to 135 mm. When you factor in the magnification factor of 1.6 x, on the long end, that is actually a 216 mm lens.
A 216 mm lens with an slow aperture of f5.6 is extremely limiting. That means the lens can only be used in the bright outdoors. Typical exposure for a sunny day at ISO 100 is about 1/500 sec at f 5.6. The moment the sun goes behind a cloud, they have to increase the camera's ISO.
So if you're new to photography and you're shopping for a digital SLR, consider buying a normal lens or what used to be called a standard lens--the 50 mm. Consider this also: do you really think that lens that came with the camera body can be that great?
If you price that same camera body without a lens against the whole kit (camera and zoom lens), you'll see that some vendors even throw in a bag, a lens cleaning kit and even a tripod. Do you really think they'll be able to make a profit if that lens is not a piece of junk with lousy optics?
Pitfalls of Beginning Photographers - Why You Shouldn't Buy a Digital SLR with a Zoom Lens KitDSLR action film (Canon 550D/Rebel t2i/7D) Tube. Duration : 7.87 Mins.
After using my Canon 550D/Rebel T2i for the filming of another project a few months ago I decided I wanted to do an action film is even more proof. I bought a new lens for my camera: Canon EF 24-70mm f/2.8 L USM and a sound recorder of field: Zoom H4n ZOH4NK and BOOM POLE so I could record sound so much better and closer to ' covered with microphone. We shot all in one day with a Canon 7D and Canon EOS 550D platforms homemade shoulder, and use only natural light(The sun and the existing lamps in place). I have Final Cut Pro to edit the film and color to colorcorrect. I burst blood, muzzle flashes, gun shells and so on in After Effects. I hope you enjoy the movie! :) Home Site: www.axp.no Directed by: Anders Overgaard Chamber: Stephen St. Peter & Anders Overgaard audio recording: Anders Lund Eriksrud & Camilla Hagen Albrechtsen Music: Lund Johansen Torkil Cast: Drug Dealer - Daniel Jacob Wetherell - Nicole C. Stigar ManWindows - Lars E. Fors Russian leader - Tom L. bodyguards Staalstrøm - Petter Hansen Joakim Austnes and businessman - Marco Schön Police: Eskild E. Fors, Hans Tore Hindrum and Stian André vimm Sniper: Anders Overgaard
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Digital SLR comes from digital single lens reflex, which is named this way because of the mirror that sits behind the lens of the camera and sends the light to the viewfinder.
The digital SLR's are designed in such a way that you can use a lot of different lenses, with different focal lengths. This versatility is the reason why digital SLR cameras are so popular among professionals. When you're using a camera that is not a SLR, you need to match the angle of the viewing lens with the angle of view. If you're doing short-range zoom or you have a fixed lens, then it's OK, but at different focal lengths it can be much more difficult. The SLR is better because the viewing and taking lens are the same.
Digital Slr Zoom
While entry level digital SLR cameras don't always have Live View, advanced models usually do, and they let you compose the photos just like you do with a snapshot camera. The basic models will lock the mirror, and the prism will divert the image towards a sensor that is small. Then, instead of sending it to a capture sensor, it will be sent to the LCD screen, which can take down the performance a bit. If you're getting an older model you might need to focus on the image manually when you are in Live View, though contrast autofocus is available in newer digital cameras.
Best SLR Digital Camera For 2009
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Digital SLR Camera Types
Digital SLR With Interchangeable-lens
These models are those considered as SLR's by most people. They're also the ones that we'll be talking about in this article. Just like the name says, in these SLR cameras you can change their lenses. This way you're able to switch from a supertelephoto lens to an ultra wide angle.
Examples: Basically, most digital SLR cameras that are sold today belong to this type.
Digital SLR With Fixed Lens
On these digital SLR's, the versatility is limited by the fact that you can't change the default lens. The mirror that bounces the light towards the viewfinder is nonmoving and semi-transparent in most of these models.
One example of a camera with fixed lens is the Olympus E-20N
Camera similar to SLR's
Cameras that look like digital SLR cameras are usually digicams that have either an optical finder or a small LCD. You can't consider them as digital SLR cameras since the mirror is missing, and the quality of the photos isn't even close to what you can do with a true SLR. Usually, this type of camera has a very long zoom, and another name for them is magazooms or ZLRs.
Best SLR Digital Camera For 2009Guide to Digital SLR Camera Tube. Duration : 3.42 Mins.
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